Sunday, June 3, 2012

Kamakura Daibutsu close-up

The Great Buddha (Daibutsu in Japanese) from Kamakura represents the Amida Buddha (Amida Nyorai in Japanese), also known as the Buddha of the Infinite Light, the main Deity of the Buddhist Sect Jodo (Pure Land).

Actually, Buddha is not a name, it’s a honorific term originating from the past participle of the Sanskrit verb Buddh, meaning “to awaken". So Buddha can be translated in English as “one who has awakened". In Japanese, Buddha is also referred as Butsu (written or ), hence Daibutsu (大仏 or 大佛) means Great ( dai) Buddha.

Many interesting Buddhist traditions can be observed with a close-up look at the head of the famous Kamakura Daibutsu… The hair is represented in small spiral curls (called Rahotsu in Japanese), a hint to a legend about Prince Siddhartha (the Historical Buddha, the founder of Buddhism), who once pulled his hair into a top knot and cut it. After the cut, the hair spiraled into fine curls and he never needed to cut his hair again. The Amida Buddha statues are always represented with 656 curls.

On top of the head, Daibutsu has the Ushnisha (Nikkei in Japanese), a bump symbolizing the fact that Buddha is all-knowing and also symbolizing a fully developed top chakra. In front of the Nikkei, we can observe a circular object, the Nikkeishū (Nikkei Jewel), which “radiates the light of wisdom".

On the forehead, we can also see the Urna (Byakugo in Japanese), symbolic representation of the third eye, emitting rays of light and symbolizing that Buddha is all-seeing. Usually, Buddha statues have the third eye made of crystal or a similar material and the Kamakura Great Buddha is no exception: its Byakugo is made of pure silver, weighing 13.5 kilograms!

Finally, we must also observe the elongated ears, symbolizing that Buddha is all-hearing…

Click on photo for higher resolution:

Great Buddha (Daibutsu), Kamakura
Great Buddha (Daibutsu), Kamakura

Info:

Nikon D300
Lens: 18-70mm F/3.5-4.5G
Focal Length: 62mm
Aperture: F/4.5
Shutter Speed: 1/1250s
ISO Sensitivity: ISO 200

Yesterday’s Japan Photo: Koukamon, the very white gate


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A Japanese Song per Day: Blood Stain Child - Freedom

Blood Stain Child - Freedom:


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You Had Me At “Sumimasen…”

The other day I was on the Toyoko Line, headed Yokohama, enjoying the extra space I’m given often by my fainthearted fellow commuters. The car was full but the seat beside mine was empty. I noticed but on any given day the amount if attention I pay it varies from too much to as little as possible. This was one of those as little as possible days, for I had my iPad on my lap and was reading (and responding) to some of the comments I’d gotten on my ongoing series, Why Do Gaijin Clash…?

One comment in particular was from this guy hypothesizing that racism in Japan is mostly being perpetrated by extroverted members of the Master Race incapable of adjusting to accepting life in an introverted country…yeah, fascinating stuff, right? Yeah, I was about to respond and tell the writer what I thought about his attempts at derailing the topic when I decided it could wait until I finished writing on the topic at hand.

But, life, as it has a habit of doing, intervened.

I looked up to see that the train had pulled into Jiyugaoka station. The person sitting on the opposite side of the empty space beside me got up, collected himself and got off the train along with a good number of other passengers. As the boarding passengers filed in, I told myself not to pay them any mind. I hate that spat on feeling I get when I see Japanese people, clearly eager to sit down, spot the empty seat near me, actually make an instinctual move toward it, then once their eyes scrape over me, abruptly alter their trajectory and scurry away. Almost as much as I hate the magnetism this behavior possesses, that of a 20 car pile up on the highway, with bloodied corpses hanging out of shattered windshields.

I closed my eyes, nodded my head downward towards my iPad, and re-opened them…only to read some sycophantic drivel about how I’m to blame for the behavior I was avoiding watching with my loud, obnoxious, and extroverted nature in a country where the introverts have the power.

I took a deep breath, and before I could exhale, I could see two tiny legs standing before me. I looked up to see a mother and daughter that had boarded the train. The mother pointed and aimed her daughter at the seat beside my mine– frankly shocking the shit outta me. The youngster, all of 4 or 5, resisted, and cried, “Kowai!!” with eyes brimming with fear, grabbed and clung to her mother’s leg for dear life. This response, however, restored order to my world.

I looked up at the mother. She was genuinely dumbfounded by her daughter’s reaction, and would have died of an overdose if embarrassment was made of aspirin. But there was something else there in her eyes and expression. Something I couldn’t get a read on.

Generally when this kind of thing happens, if I’m acknowledged at all, the parent will adopt a mien that suggests she/he is thinking, “thank god he’s a foreigner and has no idea what my child said…”  It’s almost cute, like this fear generated is some well kept secret, like the body language of the child doesn’t scream the meaning of the word.

At least I tell myself it’s almost cute.

I braced myself for the next move. How will Mama address this? Reinforce the fear? Ignore it? These are the two most popular options, and I expected nothing less now. I tried to turn away, but the rubbernecker in me seized control of my neck, and commanded, “You extroverted minion of the master race, take it like a man!”

But, this woman did nothing of the sort.

Instead, she took the seat beside me and her daughter took the seat on the other side of her.

She glanced my way, smiled warmly, and said, “Sumimasen…” (Sorry about that…kids, whatchagonnado). I shook my head and waved it off, with a sympathetic and indulgent “iie” (Don’t sweat it, love. I work with kids every day and they say damnedest things).

My mind couldn’t immediately wrap around what had just transpired.

Instead, I slid away from her as far as I could, which was about half an inch or so. I do this instinctively now, whenever people sit down beside me. I’ve found that this gesture tends to alleviate some of their discomfort (and there is almost always discomfort.) I’m not talking about physical discomfort. Generally there is sufficient space for a person to sit beside me without having to squeeze in. Besides I really don’t care about anyone’s physical comfort.  It’s a crowded train. Nobody is supposed to be truly comfortable, and to expect to be comfortable, particularly here in Yokohama, would seem to me to be irrational. I’m talking about mental discomfort, evidenced by the persistent appearance of constant shifting, fidgeting, inching away, sometimes even scratching and an inability to remember what to do with their hands or to sit still and relax.

She must have noticed me sliding away, for she looked at me sideways, then down at the little sliver of seat that appeared between us as a result of my scooching, and kind of smile/bowed.

I just grinned.

I returned my attention to the foolishness on the iPad, the comment accusing me of being the problem…a most tiresome platitude, actually. I responded that his comment was boring, and moved on to to the next comment.

Every so often, I noticed peripherally, a tiny head poking out from the other side of mom. It was the little girl. Whenever I would turn my head her way she’d duck back behind her mother, in that peek-a-boo way children do. Her face was still sour, though, like she hadn’t made up her mind whether I was Kowai-worthy or not, and was wondering what the hell was her Mom thinking trying to seat her beside me.

Around the third or fourth time she peek-a-boo’d me, I waited with my face in her direction for her to re-emerge. When she did, I turned away. And waited for her to duck her head back behind her mother before I turned her way again and waited. When she re-emerged this time, before I turned away, I caught a glimpse of a smile on her face.

Then, I noticed we were pulling into my station, so I packed up my iPad and stood to disembark. As I made my way for the door, I turned one last time. The little girl was looking at me. Her fear was gone replaced by what could have been glee. She waved at me and said, “bye bye.”

I waved back, glancing at her mother.

This time I could read the expression on her face.

It was gratitude!

I knew exactly how she felt, for I felt the same.

Loco


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Photo of the Week: UNESCO Castle Katsuren-jo at Night


Katsuren Castle in Okinawa, Japan is lighted with floodlights only one weekend a year.

This UNESCO World Heritage Site photo was taken 7:18PM May 26, 2011.

A tripod mounted Pentax K5 equipped with a Sigma 10-20mm lens at 10mm captured the shot.

Camera settings:  f/11  0.8sec  ISO100.

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Saturday, June 2, 2012

Koukamon, the very white gate

The most important complex of temples and shrines from Nikko is presented on the maps with a visiting route and, after several experiences, I recommend you to use it. It takes a few hours at strolling speed, starting at the Rinno-ji Temple, then going to Toshougu, to Futarasan Shrine and finally to Taiyuin Mausoleum.

Each building has its own story and charm… And as you advance on the route, the stories and impressions keep coming, until the route ends… and since the end is always important, here’s a view of the last attraction: a superb Chinese Ming dynasty style gate called Koukamon. In the past, the role of this gate was to lead to the tomb of the Shogun Iemitsu - but today it is rarely used.

The impression? Like almost all other constructions here, the Koukamon Gate is a real architectural jewel, small (2.2 meters tall and 1.8 meters wide) but unforgettable, with vivid colors and a surprisingly shiny white arch - interestingly, the builders took great care to create that contrasting white, by using a special mix of pigments and lead oxide…

Click on photo for higher resolution:

Koukamon Gate, Taiyuin Mausoleum, Nikko
Koukamon Gate, Taiyuin Mausoleum, Nikko

Info:

Nikon D90
Lens: VR 18-55mm F/3.5-5.6G
Focal Length: 18mm
Aperture: F/5.6
Shutter Speed: 1/80s
ISO Sensitivity: ISO 250

Yesterday’s Japan Photo: World’s tallest statue of Confucius


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A Japanese Song per Day: Ali Project - Kyomu Densen

Ali Project - Kyomu Densen:


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Wildlife Photo: Coconut Crab on Tsuken Jima Okinawa, Japan


An unusual find, during daylight hours, this Coconut Crab was spotted by RyukyuRu of


Location: Tsukan Jima Okinawa, Japan

Date and Time: May 24, 2012  11:55AM

Pentax K5 with Pentax 18-250 at 78mm Manfrotto Tripod and shutter cable release.

Normally, you won't see the Coconut Crab (Birgus latro) out and about during daylight hours.

This photo was taken with available light.

Previous photos I've taken of this critter required the use of flash.

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